Two men try to convince a young women into believing one of them is rich.

超市收银员艾达爱上了年轻的萨罗，在他的邀请下，她决定随其前往巴勒莫。但因萨罗过去所犯的错误，这对情侣陷入了一连串戏剧性事件中。艾达意识到自己的选择欠妥，便抛弃了萨罗。

There was once upon a time the Grand Duchy of Forilalì where Aladdin lived. After taking part in many robberies, he decided to turn honest for the love of the beautiful Princess Esmeralda. But his intention lasted only a few days. Afterward he found himself in jail with his old companions. They were freed by the magician Magrebì and in a night of lunar eclipse, Aladdin found a magic lamp. He succeeded in cleaning his sister Adalgisa`s house with the help of the genie and then, with no help at all, to marry Esmeralda. But evil powers were in action.

As a reinvention of the documentaries made by Pasolini, Vezzoli pushes the public of a fictitious italian tv program to talk about love and relationships

In the '70s, young Màrja leads a hippie lifestyle in Finland. During a peace march, she meets Fortunato, a young Sicilian, and falls in love with him. They marry and start a family, happily raising two daughters. However, times become hard and Fortunato suggests they move to his old town, where he can find work easily. Màrja accepts, but she'll have to clash with a close-minded and malicious environment as a foreigner in Southern Italy.

Lionel Bringuier conducts the Orchestra and Choir of the Accademia Nazionale di Santa Cecilia, with Stefano Bollani and Hyung-ki Joo at the piano, and Piero Monti as choirmaster. The program features: Francis Poulenc, Concerto for Two Pianos; Maurice Ravel, Daphnis et Chloé, choreographic symphony.

The psychiatrist Laura Correnti collaborates with the police. At the center of the meticulous investigations are heinous crimes and brutal serial killers. The protagonist will find herself facing danger multiple times, putting her own life and the lives of those around her at risk

Biographical movie on the life of Trilussa, aka Carlo Alberto Camillo Mariano Salustri. Italian poet, writer and journalist known for this works in Romanesco dialect.

Directed by reliable journeyman Umberto Lenzi and starring Roger Browne (who began his career in peplum films, but always seemed better-suited to and more comfortable in spy-espionage films), LAST MAN TO KILL has everything the fan of Euro-spy films could want. A witty, sly hero (Browne is excellent here); interesting mid-east location shooting; a plot that is both simple and convoluted at the same time; cheesy lounge-spy music (with an organ that sounds like it was borrowed from Joe Meek's studio!); low-budget props and sets; chases and fights; and even the occasional zoom photography. The dubbed sound effects are outrageous, and in some of the action scenes sound like they could have come from a 1970's Hong Kong martial arts film. This only adds to the fun and excitement of the film! Not much to analyze here--if you are a fan of dubbed Euro-spy action, you'll want to see this one. And Lenzi's fans won't be let down either. My copy is from a pan-and-scan, English-dubbed copy taped off UHF television in the 1980s--unfortunately, the days when we could rely on this kind of entertainment being available regularly and for free are long gone. Roger Browne is also put to good use in the films RIFIFI IN AMSTERDAM and PASSWORD:KILL AGENT GORDON, crime-spy films from the same era. Of course, director Umberto Lenzi made dozens of excellent films in any number of genres--as late as the 90s he was still churning out wonderful low-budget action films such as MEAN TRICKS (see my review) starring Charles Napier.